Much has been written about New York City’s late-’70s punk scene. The term “punk” was coined by critics and applied to a disparate collection of artists working at CBGB, a grimy hole-in-the-wall on the [...] read more

In the late 1960s, prominent rock musicians were primarily men. Aside from a few notable exceptions—like prolific and highly influential “Wrecking Crew” session bassist Carol Kaye—female musicians weren’t given a whole lot of mainstream [...] read more

Türk halk müziği—Turkish folk music—is an ancient blend of odd meters, microtonal scales, and unique timbres. To informed ears, it resembles other Balkan and Mediterranean folk styles, Sufi devotional music, and the classical music [...] read more

A strained, hoarse cry—or “yawp,” for those guitarists who spaced out during SAT prep—provides an appropriate nom de plume for the Yawpers, a band whose energy embodies that raucous ideal. They started as a power trio [...] read more

Chai is a quartet hailing from Japan that sounds like a cross between infectious bubblegum pop and the Gang of Four. At first glance, their Alvin-and-the-Chipmunks-style vocals, choreographed dance moves, matching stage costumes, and [...] read more

It’s been almost a decade since Gary Clark Jr.’s breakout performance at the 2010 Crossroads Guitar Festival. Technical issues marred his set—not that you could tell. If anything, those problems conspired to make his showcase even [...] read more

The Tedeschi Trucks Band is a 12-piece ensemble fronted by the husband and wife team of Susan Tedeschi and Derek Trucks. The band’s members are A-list, first-call players, and many of them could easily [...] read more

Late 1960s Ann Arbor, Michigan—a sleepy college town about 45 minutes west of Detroit—is the unlikely birthplace of punk. But it was there, led by a local band called the Stooges, that America’s most [...] read more